Stratford-on-Avon, as we all know, has only one industry-WilliamShakespeare-but there are two distinctly separate andincreasingly hostile branches. There is the Royal ShakespeareCompany (RSC), which presents superb productions of theplays at the Shakespeare Memorial Theatre on the Avon. Andthere are the townsfolk who largely live off the tourists whocome, not to see the plays, but to look at Anne Hathaway’sCottage, Shakespeare’s birthplace and the other sights.
The worthy residents of Stratford doubt that the theatre adds a penny to their revenue. Theyfrankly dislike the RSC’s actors, them with their long hair and beards and sandals and noisiness. It’sall deliciously ironic when you consider that Shakespeare, who earns their living, was himself anactor (with a beard) and did his share of noise - making.
The tourist streams are not entirely separate. The sightseers who come by bus- and often take inWarwick Castle and Blenheim Palace on the side – don’t usually see the plays, and some of themare even surprised to find a theatre in Stratford. However, the playgoers do manage a little sight - seeing along with their play going. It is the playgoers, the RSC contends, who bring in much of thetown’s revenue because they spend the night (some of them four or five nights) pouring cash intothe hotels and restaurants. The sightseers can take in everything and get out of town by nightfall.
The townsfolk don’t see it this way and local council does not contribute directly to the subsidy ofthe Royal Shakespeare Company. Stratford cries poor traditionally. Nevertheless every hotel intown seems to be adding a new wing or cocktail lounge. Hilton is building its own hotel there, whichyou may be sure will be decorated with Hamlet Hamburger Bars, the Lear Lounge, the BanquoBanqueting Room, and so forth, and will be very expensive.
Anyway, the townsfolk can’t understand why the Royal Shakespeare Company needs a subsidy. (The theatre has broken attendance records for three years in a row. Last year its 1,431 seatswere 94 per cent occupied all year long and this year they’ll do better.) The reason, of course, isthat costs have rocketed and ticket prices have stayed low.
It would be a shame to raise prices too much because it would drive away the young people whoare Stratford’s most attractive clientele. They come entirely for the plays, not the sights. They allseem to look alike (though they come from all over) –lean, pointed, dedicated faces, wearing jeansand sandals, eating their buns and bedding down for the night on the flagstones outside thetheatre to buy the 20 seats and 80 standing-room tickets held for the sleepers and sold to themwhen the box office opens at 10:30 a.m.
1. From the first two paragraphs , we learn that
A. the townsfolk deny the RSC ’ s contribution to the town’s revenue
B. the actors of the RSC imitate Shakespeare on and off stage
C. the two branches of the RSC are not on good terms
D. the townsfolk earn little from tourism
2. It can be inferred from Paragraph 3 that
A. the sightseers cannot visit the Castle and the Palace separately
B. the playgoers spend more money than the sightseers
C. the sightseers do more shopping than the playgoers
D. the playgoers go to no other places in town than the theater
3. By saying “Stratford cries poor traditionally” (Line 2-3, Paragraph 4), the author implies that
A. Stratford cannot afford the expansion projects
B. Stratford has long been in financial difficulties
C. the town is not really short of money
D. the townsfolk used to be poorly paid
4. According to the townsfolk, the RSC deserves no subsidy because
A. ticket prices can be raised to cover the spending
B. the company is financially ill-managed
C. the behavior of the actors is not socially acceptable
D. the theatre attendance is on the rise
5. From the text we can conclude that the author
A. is supportive of both sides
B. favors the townsfolk’s view
C. takes a detached attitude
D. is sympathetic to the RSC.
A B C D D
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